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Byoung K. Park, PhD, assistant professor of English at Lorain Community College in Ohio, is translating Carolyn Kleefeld’s Soul Seeds: Revelations and Drawings into Korean. This translation will be published in early 2012 in a bilingual edition by Korean Expatriate Literature and distributed in South Korea and the U.S. As part of Byoung’s work, he asked Carolyn the following questions, as he thought the answers could enhance his translation of her writing.

1. Byoung: Taoism is essential in understanding the general tone of Soul Seeds and in a few specific chapters like “Faith in the Tao” and “Creating from the Unconditioned.” Could you briefly explain the concept of Taoism and your direct experience of it?

Carolyn: To quote the Tao Te Ching, “The Tao that can be told is not the eternal Tao.” Also, “The name that can be named is not the eternal Name.” And, “The unnamable is the eternally real. Naming is the origin of all particular things.” As one who dares to utter of the ineffable, the above words reflect my own philosophy; therefore, my following comments are of a secondary nature, “particular,” and purely experiential. A few of these ideas are expressed in this latest poem:

The Unnamable
inspired by the Tao Te Ching by Lao Tzu

I’ll let the nameless
name me.

And travel its resonance
from nothingness
to One.

Ever relinquishing
to more,
to less,

To the unnamable.

The music without
the chairs.
A life pulsed
by the intangible.

I must know
life is a treasure
until I start naming things–
then I need to remember
that would be the end of
what it means to live
the unnamable.

As I mentioned, if anything, I am a philosophical Taoist. Taoism is a direct experience for me, beyond concept—following sublime intuition, coming from the unconditioned (as much as possible)–through a sacred reverence for life, through the sheer magic of the “unseen design.” In addition, Spinoza, Krishnamurti, Alan Watts, and Lao Tzu, among others, have validated and inspired my journey.

Living the Tao is a yield, a letting go. It is an experiment of living the unknown, being an open instrument in unplanned orchestration, one’s emptiness offered to the mystery, the unknown, into the seas of rebirth (living and dying), in a process of re-discovering oneself, each other, the reflection of each other’s souls.

In being open to the more expansive, to the Tao, we learn to trust, a faith that allows us to be guided by forces that are more dimensional than the personal alone, with sublime intuition as our essential guide. We develop an acceptance that a perfection exists in what is, even if it may not be to our liking.

The indefinable Tao is as natural as the tides ebbing and flowing. Out of necessity the Tao flows, bearing all things. All we need to do is show up!

In our resulting freedom, we may rejoice, finding union in the expanded moment outside of time. The forces of nature that fuel us are beyond our minds, though they may require our consciousness to assist in navigating our dynamics and energies.

2. Byoung: The God in your aphorisms is presented like that from Unitarianism (or American Transcendentalism); could you briefly explain the concept of God and your direct experience on it?

Carolyn: Since God, the Tao, are unnamable, I speak experientially of the intuitive guidance that thrives in the moment. For me, the sacrosanct is found in silence, in meditation, and is mindless. Exploring the moment can offer innumerable possibilities for transcendent experiences of wonder and of miracles.

It takes time to develop the faith to live this way. As one of my aphorisms, a favorite of the late Laura Huxley’s says, “Silence answers us in our mirrored lake of repose.” To me, that is where God is.

3. Byoung: I have been greatly intrigued into practicing Jungian psychology within an East Asian mold—your drawings, along with the aphorisms, clearly connate the archetypes like Great Motherhood of Nature, unisex, and collective unconsciousness—how have you embraced these ideas into your aphorisms?

Carolyn: Being a Pantheist, I am in resonance, absorbing the essence of the wilderness, and then the various concepts synthesize as One. In studying psychology, its conceptual archetypes and abstractions, I have discovered another facet in the kaleidoscope of understanding. I nevertheless think this interpretation can be limiting if not expanded to the universal. These dynamics are varied ingredients that one can stir into the cosmic soup of the Tao.

4. Byoung: Soul Seeds ends with “Now is the season for our souls to be nourished/ for the seeds of spirit to birth a new world.” Why do you believe or claim that “now” is the time to nurture our soul seeds? And, what is your “new world,” although your 24 chapters articulate it already?

Carolyn: In the planet’s eleventh hour, an obvious immediacy is required for us to challenge the acceleration of catastrophe and worldly chaos. It is a now or never time.

We are required to nurture the one area of our lives that we can influence and in which we also have the freedom to create for ourselves—our sacred garden within, or new world. This new world is our opportunity to express and create the lyrical harmony of our visions and dreams–nurturing our souls instead of succumbing to global materialistic corruption. It is a world in which, as Aldous Huxley spoke of, rather than having dissension in diversity, we can have unity in diversity.

5. Byoung: How did you get the title Soul Seeds, what does it mean to you, and what do you expect it to mean to your readers?

Carolyn: As I do not make poems or aphorisms—they make themselves–out of me, the title came accordingly that way. When I am in a timeless zone, flashes of insight may come–sounding the bells of platonic meaning that intimate an alignment, a resonance with the universal.

The title means a nurturing for the soul, poetic nutrition and universal insights offered to readers as seeds of inspiration. The writing that comes from this sacred place is the music that can be sung by our souls, reconnecting us to our spiritual origins and creating new bridges to expansive understandings and ways of being. •

For my dear friend Patricia Holt, my heartfelt gratitude for her invaluable assistance in editing these responses to Dr. Byoung Park.

Dearest Carolyn,

The honour is ours in Wales that your fabulous painting of our great poet will hang in the Dylan Thomas Theatre. As you know, he acted as a young man in the Swansea Little Theatre, which then became the Dylan Thomas Theatre. I am thrilled for you.

Ah, black tea and walnuts, surely the drink and food of my Muse? Well, certainly mine!

Dearest brother-sister, you will have your long letter (I love writing actual letters). I also owe our dear Vince a letter too.

I love you greatly too. I look so forward to seeing you and everyone.

Much love and blessings,
Peter

From Peter Thabit Jones, Welsh Poet

Psyche of Mirrors

John Dotson has been widely involved in the Monterey Bay poetry community since locating here in 1974. John Wrote the following regarding Carolyn’s upcoming book, “Psyche of Mirrors; A Promenade of Portraits.”

My soul, my soul, where are you? Do you hear me? I speak, I call you–are you there? I have returned, I am here again. I have shaken the dust of all the lands from my feet, and I have come to you, I am with you. After long years of long wandering, I have come to you again… My soul, my journey should continue with you. I will wander with you and ascend to my solitude.
– Carl Jung (1913)

Any one of us, born into whatever life situation is given, may arrive, as Jung did, at a quest for reconciliation with one’s very own soul. That’s what I feel Carolyn is offering in these texts spanning so many relationships, strivings, aspirations, inspirations–phases of her ascent to solitude.

15 Feb. 2011
Dear Sisters Carolyn and Patricia,
Indeed I remain humbled by your greetings, this Sisterly/Brotherly love, across a Continent. And you, Carolyn, as this Nature Poet, I’ve concluded, you are this Nation’s “Wordsworth,” your Cabin, his “Dove’s Cottage,” your Big Sur, his “Grasmere,” your Pacific, his “Lake Winander,” of “The Prelude.”

Love, Abiding Admiration to you Both, Vince
Vince Clemente, American Poet. http://www.lib.rochester.edu/index.cfm?page=3989

Hi Carolyn,
I’ve been really enjoying “Mavericks of the Mind”; nearly every essay is interesting. Two days ago I read your discription of whistling and making animal sounds while you paint, and as it happens an hour later I went to see my associate who has a child who has trouble hearing and as I walked in he was communicating with his son using bird calls. Synchronicity abounds.
Thinking of you,
George DiCaprio

Dear HHR sister Carolyn:

Thanks for passing on “Letter to Reader”… I love the “Garment of God” as metaphor– so powerful!!!– and your recommendation of John’s book.. Clearly ART and CREATIVITY are still the BEST Medicine and Food for the Soul….

I also love looking at your Celestial Mountains painting.. the colors and rhythmic flow are stunning…. mesmerizing actually….

Much Love, your HHR Chinese brother, Chungliang Al

Mavericks of the Mind: Conversations with Terence McKenna, Allen Ginsberg, Timothy Leary, John Lilly, Carolyn Mary Kleefeld, Laura Huxley, Robert Anton Wilson, and Others (Second Edition) (Paperback)

Mavericks of the Mind

Available at Amazon.com

By Richard Rasa “Rasa”

This remarkable book of interviews was originally written on the fulcrum between what could be called the psychedelic age and the current cyber-information age. At that time we desperately needed a fascinating and concise book that let the luminaries of that psychedelic age speak for themselves, rather than to hear the noise of critics and reactionaries who more often than not interpreted their words through a filter of mud colored lenses. Mavericks of the Mind is more crucial than ever. The wisdom contained in these excellent interviews not only described our history in luscious detail, but left us with a road map crucially needed for understanding our current exciting and treacherous path. David Jay Brown & Rebecca McClen Novick’s gift to the interviewer’s craft is an uncanny ability to ask the big questions – questions that lead us through the fine details of the many subjects discussed, and onto the often abstract larger picture of our constantly changing reality. Rather than getting a handle on these issues, and like the critics, figuring out ways to pigeon-hole the facts, and thus diminish their relevance, Mavericks of the Mind serves more as an instruction manual for teaching us how to navigate and surf with intelligence, compassion and joy!

Carolyn,

With mild tardiness and many thank yous for each of your poems. They were thoughtfully moving and earned caring attention – most seriously wrapped around them, they remain surprises and wonderfully arrived at positives gathered with passionate devotion.

With a large thank you again,

Bill Scharf

PS Cover was a fine painting!

August 23, 2010
at the Monterey County Fairgrounds, August 21, 2010

Bob Dylan set off a haunted feeling within me. He appears like an enigma, as in his great movie, “Masked and Anonymous.” An existential clown, minstrel, magician, and ultimate Daemon-Flame, he shares the fire of his mercurial pulse with us thirsty souls that need him to sing it for us. And as he says himself, “I’m just a singer of songs.” He is like a museum, and a rare and sublime, spectacular vintage wine. His band is awesomely perfected, as he is – one organism rocking out, there under the blooming moon of August.

To partially quote a dearest friend, dramatist, and poet, John Dotson, “And I found a vast loneliness there in the midst, an abyss of non-connection.”

Carolyn Mary Kleefeld

“You have no idea of your creative genius, reverential pleaching of worlds, yet always the human caress in voice and vision.”

Vince Clemente

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